Wednesday, February 27, 2013

Natural String Effect™ - Vol I

Here are the first five tracks ever recorded using the Natural String Effect™.  This short compilation, Natural String Effect™ - Vol  I., provides a brief introduction to the instrument.

If you wish, scroll down and click on the links at the bottom of this page.

The musical instrument I call the Natural String Effect™ is extremely easy to play.
It is so easy to play that I believe anyone would be able to play it, particularly those individuals who like listening to music but believe they have no musical ability.

The Natural String Effect™ project has emerged from my ongoing effort to apply engineering principles to musical composition and performance.  As an engineer, I am always seeking to find the simplest and most efficient process.  In the case of the Natural String Effect™, we allow a simple electro-mechanical system to respond to input with limited intervention.

What the Natural String Effect™ does, among other things, is to make musical composition and performance accessible to everyone.  No training, classical or otherwise, is necessary.

If you wish to hear the first five tracks ever recorded using the Natural String Effect™, please turn your speaker volume or headset volume control down because these are high level signals.

It is likely that you have never heard sounds like the five tracks linked below.  I know I haven't.  Still, you might be reminded, as I was the first time I heard them, of sounds and music familiar to you.

Track 01 - Take 1  This steady state composition reminds me of a power plant or propulsion system.

Track 02 - Take 2  This is another power plant or propulsion system.  This one is in high gear.

Track 03 - Take 3  In this one, you are shifting between high and low gear.

Track 04 - Take 4  This is a short musical composition with a three-chord sequence repeated.

Track 05 - Take 5  This is a three-minute musical composition with a succession of chord changes I find very relaxing.  I hope you do too :)  Believe it or not, Track 05 was the easiest one to play!

Friday, February 22, 2013

Take 5 by Natural String Effect™

Introducing Take 5, Natural String Effect's first composition:

This is about three minutes long, a very relaxing instrumental.  I will upload the audio track in a few days.

Sunday, February 17, 2013

Natural String Effect™

The Natural String Effect™ refers to the output set of signature sounds and vibrations induced in a tensioned string, of variable length, by any time-varying magnetic field or mechanical vibration inputs applied at points or positions at fixed or variable distances along the string length.

A portion of the output set, of variable relative amplitude and phase, is summed with the input set.

The range of  induction points or positions includes any point or position along the string length including either or both string ends.  The Natural String Effect™ refers to the assembly of devices described above, its deployment, the process of output set collection, and the actual output sets themselves.  String Driver™ and String Speaker™ refer to the magnetic and mechanical devices comprising the input string-driving function.

The inputs induce, mechanically and/or magnetically, transverse, tortional, and longitudinal string vibration components.

The output sets include transverse, tortional, and longitudinal components of string vibration.

Here is a demonstrative video of one embodiment with three separate strings.

Applications for this device include music experimentation, composition, and performance, sound effects, movie soundtracks, musical instrument simulation, and musical string testing.

Saturday, February 16, 2013

Beware Of Old Gear!

To all engineers and technicians out there:  Beware of old gear that appears to be in working condition!  Last year, a friend dropped off an Electro-Harmonix Mike Matthews Dirt Road Special here.  It was actually working but there was extreme crackling noise in the volume pot.  I was thoroughly impressed by the sound of the built-in "Small Stone Phaser".  The label on the highly regarded British made Celestion Speaker was visible through a bass port on the back panel.  Here are some pictures of the amplifier.
Electro-Harmonix Mike Matthews Dirt Road Special

Top view

To clean the pots, all of which were quite noisy, I decided to remove the back panel and take a look inside.  This is when things began to get interesting.  I had noticed that the Philips screw fastener heads visible on the exterior were considerably rusty.  However, I was surprised to find that the three wood screws along the bottom edge of the back panel were securely rusted into the wood.  One of the three would not even begin to turn.  I gently tapped on each of them with a Philips driver bit and eventually removed two of them but the third did not respond.  Finally, after stripping the screw head, I had to drill the head of the screw away so that only the shaft remained.  Then I could remove the back panel.  Here are all of the wood screws and a couple of machine screws removed later.

Rusted screw fasteners
What I noticed right away was that the amp must have been in a flood because, not only were the screws rusted but also the back of the speaker was rusted with much of the paint flaking away.

Anyway, the pot interiors were accessible for spraying with contact cleaner without any further disassembly.  With the pots cleaned, I applied power and there was no sound at all from the speaker!  I unsoldered one of the speaker terminals and found that the speaker's impedance was an open circuit!  Next, I removed the speaker and installed another twelve inch speaker.  There was a steady hum from the amplifier but otherwise no sound!  After finding a schematic of the output circuit online, the next thing I did was to remove the amplifier chassis, unsolder the two power output transistors and find that the PNP transistor (TO3 case) had a collector-to-emitter short.  The NPN transistor pn juncitons tested fine with no shorts.  Here is a photo with the PNP transistor removed:

PNP Transistor removed
Here is another close-up of the board for reference.

Printed on the board is the number EH1313 B

I tried checking the connections to the speaker's voice coil and could find nothing amiss.  I finally decided to remove the cone/surround/spider/voice coil assembly to try to get a look at the voice coil because it appeared that the coil wire must have parted somewhere in the coil.  In addition, the coil was rubbing against something in the gap and not moving freely.  With the cone assembly removed from the basket, I noticed that there was really heavy rusting around the spider edge and the spider glue had disintegrated into small fragments, some of which had fallen into the voice coil gap.

Rusting on speaker basket

Rust and glue particles in voice coil gap

At some point, with the cone assembly removed, I measured a voice coil DC impedance of 7.2 Ohm.  This was surprising.  I decided to reinstall the cone assembly after cleaning the rust and clearing the debris from the voice coil gap.

Close examination of the voice coil showed a little scraping but did not reveal any obvious broken wire in the coil.
Scraping on voice coil

Scraping on voice coil

After thorough cleaning with vacuum and fine tweezers, I temporarily covered the gap with black electrical tape to keep filings from entering the gap while cleaning loose rust away.

Loose rust cleaned away

With the rust cleaned out, it was possible to reinstall the cone assembly and align the coil in the gap.

Speaker cone assembly glued and aligned with paper strips


However, after the glue set, the voice coil had opened up again and the carefully restored speaker did not work! Here is a picture of the setup showing a voice coil open circuit on the meter.

Speaker still does not work!

The only way I could get the open voice coil to close was to insert a short wood brace across the diameter of the coil former.  As soon as I discovered this, I positioned the brace for maximum effect and glued the ends to the former.  Here is a photo showing the speaker working with an AC voltage applied to the terminals.

Celestion speaker temporary repair with wood brace

With the speaker working, if only temporarily, I decided to order a matched PNP-NPN transistor pair to replace both output transistors.  I selected transistors with robust specifications, including maximum ratings not likely to be exceeded in this amplifier design.

Here is a picture with the new transistors installed.

Amp with new output transistors installed

I powered this up using a Variac autotransformer.  Everything is working fine with the Variac high enough to make 14 Volts DC from the power supply.  With a full 120 VAC applied, the power supply voltage would be much higher at about 70 Volts.  My friend is suggesting that his potential customer might be interested in doing some studio work with this amp.  If that is the case, I may decide to change the power transformer to one with 12 VAC or even 9 VAC secondary to reduce the power and protect the original speaker, as repaired, from too much power from the amp.  This amp is really loud with only 14 Volts.  In the event someone installs a new speaker, the original transformer should be used.  On the other hand, the amp should work great powered with a 12Volt car battery instead of the AC power supply!  I will post further photos soon...

For more on this, check out the latest post at EH is back for repairs.